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Submissions from 2025

Zoe Moore, Russian (RUSS) 2025, The Dark Side of the Festival “Tolstoy”: National Identity and the Manipulation of Leo Tolstoy’s Legacy in Russia

Katherine O'Leary, German (GERM) 2025, Questioning Author(ity): Collaboration and Gender in the Work of Elisabeth Hauptmann and Bertolt Brecht

Celia Vander Ploeg Fallon, German (GERM) 2025, Make Techno Not Friends: Friendship in the Posthuman World of Emma Braslavsky’s “Ich bin dein Mensch: Ein Liebeslied”

Submissions from 2022

Elyana Glass, Russian (RUSS) 2022, Soviet Femininity in Ice Dancing

Elliot Stork, German (GERM) 2022, Die Ablehnung der öffentlichen Machtstrukturen durch Geschlechtsausdruck: Charlotte von Mahlsdorfs Leben in der DDR

Submissions from 2021

Marcella Jurotich, German (GERM) 2021, Unrealized Dreams: The Impossibility of Traversing Boundaries in "Die größere Hoffnung"

Nicholas Rosen, Russian (RUSS) 2021, “You won’t strangle or kill this song:” Intertextuality and Power in the Music of Yanka Dyagileva

Ginnie White, German (GERM) 2021, Imagining Germany: Fairy Tales and Nation Building

Emily Wight, German (GERM) 2021, The Space Between: Gender Nonconformity in Weimar Queer Cinema

Submissions from 2019

Marly Schrom, Russian (RUSS) 2019, Russia’s Late-Night Vecherniĭ Urgant : How Does Humor Convey Russian Values and Pro-Kremlin Discourse?

Submissions from 2017

Jacob Robert Gunderson, German (GERM) 2017, Der Diktator und der Schriftsteller: Eine Analyse der Beziehung zwischen Stalin und Brecht durch Politik und Theater

Submissions from 2014

Jacob Scott Hoerger, Russian (RUSS) 2014, Hamlet. Act 0

Submissions from 2013

Danielle Alyssa Bennon, Sophia Catherine Davis, and Michael Mandelkorn, Russian (RUSS) 2013, Translation and Exploration: Buryat Cultural History through the Lense of Geser

Tamarae Marie Hildebrandt, German (GERM) 2013, For Better or Worse in Turn-of-the-Century Vienna

Submissions from 2010

Tigan Michelle Harrison, Russian (RUSS) 2010, Battle of the Cold War Spies: A comparison of the espionage genre in literary and cinematic works within British and Russian cultures

Submissions from 2009

Kevin Kensler, Russian (RUSS) 2009, Aleksandr Vampilov's Last summer in Chulimsk: beyond the bounds of Chekhov

Brian Mason, Russian (RUSS) 2009, Oligarkhi: the development of a new cultural concept in post-Soviet Russia