Cleopatra in Pompeii? | Papers of the British School at Rome | Cambridge Core

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

References

Amici, C.M. (1991) II Foro di Cesare. Florence, L.S. Olschki.Google Scholar

Aoyagi, M. and Pappalardo, U. (2006) Pompei (Regiones VI–VII). Insula Occidentalis. Naples, Valtrend.Google Scholar

Ashton, S.-A. (2003) Cleopatra: goddess, ruler or regent? In Walker, S. and Ashton, S.-A., Cleopatra Reassessed (British Museum Occasional Papers 103): 2530. London, British Museum Press.Google Scholar

Barbet, A. (1985) La peinture murale romaine. Les styles décoratifs pompéiens. Paris, Picard.Google Scholar

Bartman, R. (1999) Portraits of Livia: Imaging the imperial Woman in Augustan Rome. Cambridge, Cambridge University Press.Google Scholar

Bragantini, I. (1997) Pompei: pitture, pavimenti e mosaici. Reg. VI.3. Rome, Istituto della Enciclopedia Italiana.Google Scholar

Carettoni, G. (1983) Das Haus des Augustus auf dem Palatin. Mainz, von Zabern.Google Scholar

Cassetta, R. (2007) Pompei, Insula Occidentalis. Le casa di M. Fabio Rufo (VII, 16,22) e di Maio Castricio (VII, 16, 17). Universitá di Trieste, thesis for Dottorato in Scienze dell'Antichità.Google Scholar

Cernili, Irelli G. (1981) La casa di Marco Fabio Rufo. In Baldassarre, I. (ed.), Pompei 1748–1980: 2232. Rome, Multigrafica.Google Scholar

Curti, E. (2007) La Venere Fisica Trionfante: un nuovo ciclo di iscrizioni dal santuario di Venere a Pompei. In Le perle e il filo: a Mario Torelli per i suoi settanta anni: 5771. Venosa, Osanna Edizioni.Google Scholar

Curtius, L. (1933) Ikonographische Beiträge zum Porträt der Römischen Republik und der Julisch-Claudisch Familie. IV. Kleopatra VII Philopator. Römische Mitteilungen 48: 182–92.Google Scholar

D'Ambrosio, A. (2001) Women and Beauty in Pompeii. Rome, ‘L'Erma’ di Bretschneider.Google Scholar

Esposito, D. (forthcoming) Il poeta della casa VI 17 (Ins. Oc.) 4l.Google Scholar

Grant, M. (1972) Cleopatra. London, Weidenfeld and Nicolson.Google Scholar

Grimaldi, M. (2006) VII 16 Insula Occidentalis 22. Casa di M. Fabius Rufus. In Aovagi, M. and Pappalardo, U., Pompei (Regiones VI–VII). Insula Occidentalis: 259418. Naples, Valtrend.Google Scholar

Higgs, P. (2001) Searching for Cleopatra's image. In Walker, S. and Higgs, P. (eds), Cleopatra of Egypt: from History to Myth: 200–9. London, British Museum Press.Google Scholar

La Rocca, E. (1988) Porträt der Kleopatra VII Philopator. In Kaiser Augustus und der Verlorene Republik. Eine Ausstellung im Martin-Gropius-Bau, Berlin 1988: 306–7. Mainz, von Zabern.Google Scholar

Leaeh, E.W. (2004) The Social Life of Painting in Ancient Rome and on the Bay of Naples. Cambridge, Cambridge University Press.Google Scholar

Lehmann, P.W. (1953) Roman Wall Paintings from Boscoreale in the Metropolitan Museum of Art. Cambridge (MA), Archaeological Institute of America.Google Scholar

Ling, R. (1991) Roman Painting. Cambridge, Cambridge University Press.Google Scholar

Mathews, T.E. (2000) Pagan icons. In Walker, S., Ancient Faces. Mummy Portraits from Roman Egypt: 124–7. London/New York, British Museum Press/Metropolitan Museum of Art.Google Scholar

Mazzoleni, D. with Pappalardo, U. and Romano, L. (2004) Domus. Wall Painting in the Roman House. Los Angeles, The J. Paul Getty Museum.Google Scholar

McKenzie, J. (2007) The Architecture of Alexandria and Egypt, c. 300 B.C. to A.D. 700. New Haven, Yale University Press.Google Scholar

Quaegebeur, J. (1988) Cleopatra VII and the cults of Ptolemaic queens. In Bianchi, R., Cleopatra's Egypt. The Age of the Ptolemies: 4188. New York, Brooklyn Museum.Google Scholar

Rose, C.B. (1997) Dynastic Commemoration and Imperial Portraiture in the Julio-Claudian Period. Cambridge, Cambridge University Press.Google Scholar

Strocka, V.M. (2005) Das Fassaden-Motiv des Venus-Genetrix Tempels in Rom: Bedeutung und Nachwirkung. In Mols, S.T.A.M. and Moormann, E. (eds), Omni pede stare. Saggi architettonici e circumvesuviani in memoriam Jos de Waele: 153–67. Naples, Electa Napoli.Google Scholar

Strocka, V.M. (2006) Troja-Karthago-Rom, ein vorvergilisches Bildprogramm in Terzigno bei Pompeji. Römische Mitteilungen 112 (2005–6): 79120.Google Scholar

Ulrich, R. (1993) Julius Caesar and the creation of the Forum Julium. American Journal of Archaeology 97: 4980.CrossRefGoogle Scholar

Varriale, I. (2006) La Casa di Maius Castricius. In Aoyagi, M. and Pappalardo, U., Pompei (Regiones VI–VII). Insula Occidentalis: 419504. Naples, Valtrend.Google Scholar

Vorster, C. (2004) Vatikanische Museen. Museo Gregoriano Profano ex Lateranense. Katalog der Skulpturen II. Römische Skulpturen des Späten Hellenismus und der Kaiserzeit 2: Werke nach Vorlagen und Bildformeln Hellenistischer Zeit sowie Skulpturen in den Magazinen. Wiesbaden, Reichert.CrossRefGoogle Scholar

Walker, S. and Bierbrier, M. (1997) Ancient Faces. Mummy Portraits from Roman Egypt. London, British Museum Press.Google Scholar

Walker, S. and Higgs, P. (2001) (eds) Cleopatra of Egypt: from History to Myth. London, British Museum Press.Google Scholar

Weinstock, S. (1971) Divus Julius. Oxford, Clarendon Press.Google Scholar

Westall, R. (1997) The Forum Iulium as representation of Imperator Caesar. Römische Mitteilungen 103: 83118.Google Scholar

Williams, J. (2001) ‘Spoiling the Egyptians’: Octavian and Cleopatra. In Walker, S. and Higgs, P. (eds), Cleopatra of Egypt: from History to Myth: 190–9. London, British Museum Press.Google Scholar