Copyright on the Python and Python-console icons?
Erik Max Francis
max at alcyone.com
Wed Jan 15 21:30:43 EST 2003
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Wed Jan 15 21:30:43 EST 2003
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Tim Peters wrote: > I use the word "afraid" but don't believe I've emphasized it. I disagree. > It's not worth the extremely negative potential payoff should > things turn ugly. > > doesn't sound like encouragement <wink>, and "afraid" comes from the > "F" in > FUD. Am I going to have to invoke the Descartes argument? You have two possibile scenarios. In both, he uses the copyrighted material; in the first, he secures permission before doing so, and in the second, he doesn't bother. In the first case, he's fine, because he has permission. In the second, there is always the possibility that the copyright holder (which may change its disposition, or change holders entirely) will get upset with what he's doing and bring suit. If this were to happen, it would have extremely negative payoff, whether or not you estimate it as having very low probability. The first situation has a non-negative expected value, the second situation has a negative expected value. You figure the rest out. > No, you do more than just that: you've counseled Mike repeatedly to > > get rock solid assurance (a written and signed waiver on physical > paper), or don't bother > > and repeat that again in different words next. Yes, because that is standard advice that is given the world around when people are considering the use of copyrighted works. Whether this has to do with Python or the PSF or Joe Shmoe in Podunk, Idaho doesn't change that. > Nope, I'm trying to assure Mike that the risks are-- contrary to the > FUD --so minimal as to be laughable. You do realize that blindly shouting "FUD!" is, itself, FUD, don't you? -- Erik Max Francis / max at alcyone.com / http://www.alcyone.com/max/ __ San Jose, CA, USA / 37 20 N 121 53 W / &tSftDotIotE / \ And there inside our private war / I died the night before \__/ Sade Bosskey.net: Counter-Strike / http://www.bosskey.net/cs/ A personal guide to Counter-Strike.
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